‘Panty is dreamlike yet visceral, surreal but intimate. In these fragments of life, loneliness, curiosity, defiance and sexuality blend to create an uneasy picture of contemporary India. Divided from themselves, Bandyopadhyay's beguiling creations are as fractured and incomplete as contemporary life itself.’
— Nina Power, author of One Dimensional Woman

A young woman arrives alone in Kolkata, an unfamiliar city in which she knows no-one, and moves into a guesthouse. Her sense of identity already shaken, when she finds a worn pair of leopard print panties in the otherwise-empty wardrobe she begins to fantasise about their former owner, whose imagined life comes to blur with and overlap her own.

Darkly glamorous and ferociously erotic, Sangeeta Bandyopadhyay’s writing is reminiscent of Katherine Anne Porter’s fever dreams or the surreal paintings of de Chirico. Credited with being ‘the woman who reintroduced hardcore sexuality into Bengali literature’, Bandyopadhyay may be sensational but she is never superficial, with her feminism encompassing debates on religion and nationhood as much as sexuality.

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